{"id":1544,"date":"2022-08-03T18:19:19","date_gmt":"2022-08-03T18:19:19","guid":{"rendered":"https:\/\/juliaguillamon.com\/?page_id=1544"},"modified":"2022-08-03T19:12:21","modified_gmt":"2022-08-03T19:12:21","slug":"resum-bibliografia-completa","status":"publish","type":"page","link":"https:\/\/juliaguillamon.com\/index.php\/resum-bibliografia-completa\/","title":{"rendered":"Bibliografia completa"},"content":{"rendered":"\n<h1 class=\"has-text-align-right wp-block-heading\"><strong>Llibres<\/strong> <\/h1>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><span class=\"collapseomatic \" id=\"id6a67d7d65f01b\"  tabindex=\"0\" title=\"\"    ><\/span><div id=\"target-id6a67d7d65f01b\" class=\"collapseomatic_content \"> <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022. Les hores noves. Anagrama. Narrativa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021. La Moravia. Novela. Descripci\u00f3n general de los s\u00edmbolos del progresso y<br>de sus aplicaciones en la economia, la industria y la vida di\u00e0ria. Con veiticinco<br>l\u00e1minas. Versi\u00f3n castellana del autor. Seguido de \u201cUn Barreiros del siglo XXI\u201d.<br>Entreambos. Novela.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021. La f\u00e0brica de gel. Gal\u00e0xia Gutenberg. Nou pr\u00f2leg de Joan Tarrida.<br>Narrativa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020. Mariposas de invierno y otras historias de la naturaleza. C\u00edrculo de tiza.<br>Con una ilustraci\u00f3n de Maria Padr\u00f3 y una l\u00e0mina cient\u00edfica. Narrativa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020. Les cuques. Amb una l\u00e0mina cient\u00edfica. Anagrama. Narrativa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020. Vi i benzina. Quatre hist\u00f2ries ap\u00f2crifes de Joan Perucho. Vibop. Contes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/juliaguillamon.com\/index.php\/joan-perucho-i-la-literatura-fantastica\/\">2020. Joan Perucho i la literatura fant\u00e0stica. Nova versi\u00f3. Emp\u00faries. Assaig.<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019. Deu entrevistes. Comanegra. Amb una il\u00b7lustraci\u00f3 de coberta d\u2019America<br>Sanchez. Entrevistes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019. La Ciudad interrumpida, seguido de El gran noveloide sobre Barcelona.<br>Anagrama. Ensayo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019. La ciutat interrompuda, seguit de El gran novel\u00b7loide sobre Barcelona.<br>Anagrama. Assaig.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018. El tren de la bruixa. L\u2019Aven\u00e7. Reportatges.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018. El barrio de la Plata. L\u2019Aven\u00e7. Novela-testimonio.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018. El barri de la Plata. L\u2019Aven\u00e7. Novel\u00b7la-testimoni.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017. Cruzar la riera. Con una ilustraci\u00f3n de cubierta de America Sanchez y un<br>dibujo de Toni Benages i Gallard. Comanegra. Testimonio.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017. Travessar la riera. Amb una il\u00b7lustraci\u00f3 de coberta d\u2019America Sanchez i<br>un dibuix de Toni Benages i Gallard. Comanegra. Testimoni.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017. El sifon de can Sitra. Cent trenta-cinc cromos i dos recordatoris. Amb una<br>il\u00b7lustraci\u00f3 de coberta d\u2019America Sanchez i un ep\u00edleg d\u2019Ignasi Aball\u00ed. Comanegra.<br>Articles.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016. L&#8217;enigma Arquimbau: Sexe, feminisme i literatura a l&#8217;era del flirt.<br>Comanegra. Assaig-biografia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2015. Joan Perucho, cendres i diamants: Biografia d&#8217;una generaci\u00f3. Gal\u00e0xia<br>Gutenberg. Assaig-biografia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2014. Jam\u00e1s me ver\u00e1 nadie en un ring: La historia del boxeador Pedro Roca.<br>Con una ilustraci\u00f3n de cubierta de Eduardo Arroyo. Comanegra. Ensayo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2011. La Mor\u00e0via. Novel\u00b7la. Descripci\u00f3 general dels s\u00edmbols del progr\u00e9s i les<br>seves aplicacions en l\u2019economia, la ind\u00fastria i la vida di\u00e0ria. Gal\u00e0xia Gutenberg.<br>Novel\u00b7la.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2008. El dia revolt. Literatura catalana de l\u2019exili. Emp\u00faries. Assaig-reportatge.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2008. Uh, Gabir\u00fa. Emp\u00faries. Articles.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2001. La ciutat interrompuda. De la contracultura a la Barcelona<br>postol\u00edmpica. La Magrana. Assaig.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1991. La f\u00e0brica de fred. Emp\u00faries. Pr\u00f2leg de Joan Tarrida. Narrativa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1989. Joan Perucho i la literatura fant\u00e0stica. Edicions 62. Assaig. <\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"has-text-align-right wp-block-heading\">Llibres il\u00b7lustrats<\/h1>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><span class=\"collapseomatic \" id=\"id6a67d7d65f075\"  tabindex=\"0\" title=\"\"    ><\/span><div id=\"target-id6a67d7d65f075\" class=\"collapseomatic_content \"> <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022. Joguets i escriptors. Museu del Joguet de Catalunya-Figueres. 40 anys.<br>Biblioteques de Barcelona\/Ajuntament de Barcelona.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021. Joan Perucho. Creaci\u00f3, imaginaci\u00f3 i bon gust. Instituci\u00f3 de les lletres<br>catalanes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021. Modernitat de Gabriel Casas i Galobardes. Fundaci\u00f3 Palau-Gal\u00e0xia<br>Gutenberg.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021. Alpina. Mapes, literatura, paisatge. Biblioteques de<br>Barcelona\/Ajuntament de Barcelona.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021. D\u2019un roig enc\u00e8s. Mir\u00f3, Palau i Fabre, Perucho, Picasso. Fundaci\u00f3 Palau-<br>Gal\u00e0xia Gutenberg.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021. America Sanchez a Barcelona. Amb Albert Planas. Gal\u00e0xia Gutenberg.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020. Joan Perucho i les edicions pop. L\u2019aventura de T\u00e0ber. Biblioteques de<br>Barcelona\/Ajuntament de Barcelona.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019. Barcelona-Buenos Aires. Llibres d\u2019anada i tornada. Llibreria Catal\u00f2nia,<br>Editorial Sudamericana, Edhasa. Biblioteques de Barcelona\/Edhasa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018. Les edicions Aym\u00e0: l\u2019art de sobreviure. Biblioteques de<br>Barcelona\/Editorial Barcino.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018. Palau i Fabre i Barcelona. Fundaci\u00f3 Palau-Gal\u00e0xia Gutenberg.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018. Els mitjons Molfort\u2019s i la publicitat racional. Amb Jordi Dur\u00f3. Museu de<br>Matar\u00f3.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017. Patufet en guerra. La il\u00b7lusi\u00f3 de la modernitat. Memorial Democr\u00e0tic.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016. Edicions de 1984. La ciutat dels llibres. Biblioteques de<br>Barcelona\/Edicions de 1984.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2015. Enric Cluselles. Ninots i llibres. Biblioteques de Barcelona\/Editorial<br>Barcino.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2015. Baltasar Porcel. Mallorca, Barcelona, el m\u00f3n. Gal\u00e0xia Gutenberg.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2015. Leopoldo Pom\u00e9s Flashback. 2 edicions: en catal\u00e0 i castell\u00e0. Editorial RM-La Pedrera.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2015. Fornas\/Pedragosa. Portes i fl\u00e8xums. Fundaci\u00f3 .Vila Casas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2014. Espriu. L\u2019escriptor comprom\u00e8s, el m\u00edstic, el gran sarc\u00e0stic. Gal\u00e0xia Gutenberg.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2014. La propera festa del llibre ser\u00e0 de color taronja! Cinquanta anys del rellan\u00e7ament d\u2019Edicions Proa. Biblioteques de Barcelona\/Edicions Proa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2012. La revolta po\u00e8tica (1964-1982). Amb Vicen\u00e7 Altai\u00f3. Fundaci\u00f3 Palau-Gal\u00e0xia Gutenberg.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2012. El comprom\u00eds pop. Els primers anys d\u2019Edicions 62. Biblioteques de Barcelona\/Edicions 62.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2011. Continuar el combat. L\u2019aventura de Club Editor (1955-2011). Biblioteques de Barcelona\/Club Editor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2010. L\u2019estil Quaderns Crema. Trenta anys d\u2019edici\u00f3 independent. 1979-2009. Biblioteques de Barcelona\/Edicions dels Quaderns Crema.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2009. Monz\u00f3. Com triomfar a la vida. Gal\u00e0xia Gutenberg\/Cercle de lectors.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2007. Literaturas del exilio: Santo Domingo. Sociedad Estatal de Acci\u00f3n Cutural Exterior de Espa\u00f1a.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2007. Literaturas del exilio: M\u00e9xico. Sociedad Estatal de Acci\u00f3n Cutural Exterior de Espa\u00f1a.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2007. Literaturas del exilio: Santiago de Chile. Autor. Sociedad Estatal de Acci\u00f3n Cutural Exterior de Espa\u00f1a.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2006. Literaturas del exilio: Buenos Aires. Autor. Sociedad Estatal de Acci\u00f3n Cutural Exterior de Espa\u00f1a.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2005. Literatures de l\u2019exili. Dues edicions, en catal\u00e0 i en castell\u00e0. CCCB.<br>2000. Josep Palau i Fabre, l\u2019Alquimista. KRTU.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1998. Joan Perucho. L\u2019art de tancar els ulls. 2 edicions, en catal\u00e0 i en castell\u00e0. KRTU\/Editorial Lunwerg.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1995. Alter m\u00fasiques natives. Amb V\u00edctor Nubla i Pau Riba. Llibre i doble CD. KRTU.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1991. Literatures submergides. Amb Gl\u00f2ria Picazo. KRTU. <\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"has-text-align-right has-larger-font-size wp-block-heading\">C\u00f2mics<\/h1>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"> <span class=\"collapseomatic \" id=\"id6a67d7d65f091\"  tabindex=\"0\" title=\"\"    ><\/span><div id=\"target-id6a67d7d65f091\" class=\"collapseomatic_content \"> <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020. Llibre de cavalleries de Joan Perucho. Gui\u00f3 de Juli\u00e0 Guillamon. Dibuixos de Toni Benages i Gallard. Emp\u00faries.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017. Josep Palau i Fabre: La joia de viure. Gui\u00f3 de Juli\u00e0 Guillamon. Dibuixos de Toni Benages i Gallard. Males Herbes.<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"has-text-align-right wp-block-heading\">Pr\u00f2legs i edicions<\/h1>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><span class=\"collapseomatic \" id=\"id6a67d7d65f0a3\"  tabindex=\"0\" title=\"\"    ><\/span><div id=\"target-id6a67d7d65f0a3\" class=\"collapseomatic_content \"> <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022. Joaquim Ruyra. Jacob\u00e9 &amp; Fineta. Introduction. Full d\u2019Estampa Press.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021. Josep Palau i Fabre. Teoria dels colors. Ep\u00edleg. Vibop.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021. Rosa Maria Arquimbau. Forty Lost Years. Epilogue. Fum d\u2019Estampa Press.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021. \u00d2scar Farrerons. Hist\u00f2ries del Montseny. Pr\u00f2leg. Editorial Gavarres.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020. Xacon\u00edn: diari de guerra d\u2019un soldat reialista d\u2019Albinyana (1822-1823). Nova edici\u00f3. Pr\u00f2leg. Col\u00b7lecci\u00f3 Scripta-Publicacions de l\u2019Abadia de Montserrat.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020. Juan Perucho. Las aventures del Caballero Kosmas. Pr\u00f3logo. Edhasa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020. Rosa Maria Arquimbau. Teatre reunit. Pr\u00f2leg. Teatre Nacional de Catalunya\/Arola Editors.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020. Francisco Madrid. Sangre en Atarazanas. Edici\u00f3 i ep\u00edleg. Libros de Vanguardia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020. Joan Perucho. Els homes invisibles. Edici\u00f3 de Juli\u00e0 Guillamon i Jordi Puig. Comanegra.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019. Josep Palau i Fabre. Querido Picasso. Edici\u00f3n y pr\u00f3logo. Galaxia Gutenberg.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019. Josep Palau i Fabre. Estimat Picasso. Edici\u00f3 i pr\u00f2leg. Gal\u00e0xia Gutenberg.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019. Joan Perucho. Les hist\u00f2ries naturals. Pr\u00f2leg revisat. Edicions 62.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019. Anxo Rabu\u00f1al y Mart\u00ed Per\u00e1n. Escribir y dibuixar, en el fondo, no son lo mismo. Ep\u00edlogo. Ediciones Asim\u00e9tricas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018. Anna Dodas i Noguer. Capvespres de foc i de grana. Pr\u00f2leg. Cal\u00b7l\u00edgraf.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018. D.H. Lawrence. L\u2019home que va morir. Introducci\u00f3. Angle Editorial.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018. Rosa Maria Arquimbau. Prostituci\u00f3. Des d\u2019all\u00f2 de la poma fins als nostres dies. Edici\u00f3 i ep\u00edleg. Comanegra.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018. Terenci Moix. Tots els contes. Pr\u00f2leg. La butxaca.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017. Quim Monz\u00f3. Taula i barra. Diccionari de menjar i veure. Selecci\u00f3 dels articles. Libros de Vanguardia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017. Josep Palau i Fabre. Contes despullats i La tesi doctoral del diable. Pr\u00f2leg. Proa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016. Rosa Maria Arquimbau. Quaranta anys perduts. Edici\u00f3 i ep\u00edleg. Comanegra.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016. Rosa Maria Arquimbau. Cor lleuger i altres narracions de l\u2019era del flirt. Edici\u00f3 i ep\u00edleg. Comanegra.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2014. Jo no hi era per\u00f2 me\u2019n recordo. Hagiografia de Quico Pi de la Serra escrita per Alejandro Crimi. Versi\u00f3 catalana i edici\u00f3. Comanegra.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2011. Josep Palau i Fabre. Picasso 1927-1939. From Minotaure to the Guernica. Edition. Ediciones Pol\u00edgrafa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2011. Josep Palau i Fabre. Picasso. Del Minotauro al Guernica. 1927-1939. Edici\u00f3n. Ediciones Pol\u00edgrafa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2011. Josep Palau i Fabre. Picasso. Del Minotaure al Gernika. 1927-1939. Edici\u00f3. Edicions Pol\u00edgrafa.<br>2011. Joan Perucho. Llibre de Cavalleries. Pr\u00f2leg. La Magrana.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2011. Joan Perucho. Les hist\u00f2ries naturals. Pr\u00f2leg. Edicions 62.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2008. Josep Palau i Fabre. El monstre i altres escrits autobiogr\u00e0fics. Edici\u00f3 i pr\u00f2leg. Gal\u00e0xia Gutenberg\/Cercle de lectors.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2005. Joan Perucho. El arquero dubitativo. Pr\u00f2leg. Biblioteca \u00edntima-Marc Editor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2005. Narrativa catalana de l\u2019exili. Edici\u00f3. Gal\u00e0xia Gutenberg\/Cercle de lectors.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2005. Juli Vallmitjana. De la ra\u00e7a que es perd. Pr\u00f2leg. Edicions de 1984.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2004. Manel Zabala. Paella mixta. Pr\u00f3logo. Universidad de Guadalajara\/Ediciones Arlequ\u00edn\/Conaculta-Fonca.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2004. Enric Casasses Figueres. La cosa aquella. Edici\u00f3n fascicular biling\u00fce. Pr\u00f2leg. Ediciones Arlequ\u00edn\/Conaculta-Fosca.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2004. Carles Sent\u00eds. L\u2019instant abans del 36. Selecci\u00f3 i pr\u00f2leg. La Campana.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2004. Quim Monz\u00f3. Splassshf. Edici\u00f3 i pr\u00f2leg. C\u00edrculo de Lectores.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2003. Jorge Luis Borges y Adolfo Bioy Casares. Cr\u00f3nicas de Bustos Domecq. Pr\u00f2leg. Losada.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1998. Joan Perucho. Amb la t\u00e8cnica de Lovecraft i altres contes. Edici\u00f3. Edicions 62.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1997. Pau Riba. Lletrerada. Pr\u00f2leg. Proa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1995. Llu\u00eds Urpinell. Tractat d\u2019ofiologia. Pr\u00f2leg. Proa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1995. Josep Palau i Fabre. Contes de cap\u00e7alera. Ep\u00edleg. Proa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1995. Joan Perucho. Las historias naturales. Pr\u00f3logo. C\u00edrculo de lectores.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1994. David Castillo. Tenebra. Pr\u00f2leg. Proa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1992. Jordi Ribas. El mot\u00ed de les del\u00edcies. Pr\u00f2leg. Emp\u00faries.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1991. Enric Casassas Figueres. La cosa aquella. Pr\u00f2leg. Emp\u00faries.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1990. Joan Perucho. Alg\u00fa, a la nit, respira: antologia de contes fant\u00e0stics. Pr\u00f2leg. Tres i Quatre.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1987. Sir Arthur Conan Doyle. La M\u00f2mia. Pr\u00f2leg. Laertes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1986. Prosper Merim\u00e9e. La Venus d\u2019Illa. Traducci\u00f3 i pr\u00f2leg. Laertes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1986. Josep Palau i Fabre. Avui, Romeo i Julieta\/El porter i el penalty. Pr\u00f2leg. Biblioteca Teatral-Edicions del Mall.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1986. Joan Perucho. Rosas, diablos y sonrisas. Pr\u00f2leg. Colecci\u00f3n Marca Hisp\u00e1nica-Edicions del Mall.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1986. Avel\u00b7l\u00ed Art\u00eds Gener. El bo\u00e0 taronja. Pr\u00f2leg. La Magrana.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1986. Alfred Bosch. Cronic\u00e0lia. Pr\u00f2leg. Edicions del Mall.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1985. H.P. Lovecraft. El cas de Charles Dexter Ward. Ep\u00edleg. Edicions del Mall.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1985. E.T.A. Hoffmann. Contes de magnetisme i hipnosi. Tria i postfaci. Edicions del del Mall.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1985. Joan Perucho. Obres completes\/1. Les aventures del cavaller Kosmas\/Pamela. Pr\u00f2leg. Edicions 62.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1984. Proper M\u00e9rim\u00e9e. Lokis. Traducci\u00f3 i pr\u00f2leg. Laertes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1984. J. Sheridan Le Fanu. Carmilla. Pr\u00f2leg. Laertes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1984. Guy de Maupassant. L\u2019horl\u00e0. Pr\u00f2leg. Laertes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1984. Josep M. Llompart i Margarida Cabot. Poemes i dibuixos. Pr\u00f2leg. Taller de Picasso.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1983. Jaume Morell i Garrig\u00f3s. Trenc d\u2019alba seguit de Cor departit. Pr\u00f2leg. Col\u00b7lecci\u00f3 impermeable-Llibres del Mall.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1983. Fulls impermeables. Selecci\u00f3 i assaig. Col\u00b7lecci\u00f3 impermeable-Edicions del Mall.<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"has-text-align-right wp-block-heading\">Altres projectes<\/h1>\n\n\n\n<h3 class=\"wp-block-heading\">LITERATURA<\/h3>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><span class=\"collapseomatic \" id=\"id6a67d7d65f0c4\"  tabindex=\"0\" title=\"\"    ><\/span><div id=\"target-id6a67d7d65f0c4\" class=\"collapseomatic_content \"> 2021. Les hores noves. Quadern de camp-llibreta per a escriure. Offset Derra.<\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\">1992. Chico Buarque. Destorb. Traducci\u00f3. Emp\u00faries.<\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\">1990. El triangle de les set punxes: hist\u00f2ries d\u2019horror. Conte. Tanagra.<\/div>\n\n\n\n<h3 class=\"wp-block-heading\">ARQUEOLOGIA<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><span class=\"collapseomatic \" id=\"id6a67d7d65f0d1\"  tabindex=\"0\" title=\"\"    ><\/span><div id=\"target-id6a67d7d65f0d1\" class=\"collapseomatic_content \"> 2018 Ausetans. Autor. Museu d\u2019Arqueologia de Catalunya.<\/div>\n\n\n\n<h3 class=\"wp-block-heading\">M\u00daSICA<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><span class=\"collapseomatic \" id=\"id6a67d7d65f0de\"  tabindex=\"0\" title=\"\"    ><\/span><div id=\"target-id6a67d7d65f0de\" class=\"collapseomatic_content \">2019. Arrels de Gr\u00e0cia. Remena, nen! Idea del disc. Satellite K.<br>2018. Oriol Perucho. Zapping CD. Text. Alter Video.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2015. Quico Pi de la Serra. Dues tasses. Traducci\u00f3 de les lletres al castell\u00e0. Temps Record.<\/div>\n\n\n\n<h3 class=\"wp-block-heading\">ART<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><span class=\"collapseomatic \" id=\"id6a67d7d65f0ea\"  tabindex=\"0\" title=\"\"    ><\/span><div id=\"target-id6a67d7d65f0ea\" class=\"collapseomatic_content \">2021 Artigau: cr\u00f2niques d\u2019una realitat. Text. Museu d\u2019Art de Girona.<br>2015 Ramon Enrich. Arquitectures, tipografies i altres volums. Text. Fundaci\u00f3 Vila Casas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1994 Francesc Torres. El continent de cristall. Text. Tinglado 2.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1992 Joan Fontcuberta. Hist\u00f2ria artificial. Text. Institut Valenci\u00e0 d\u2019Art Modern.<\/div>\n\n\n\n<h3 class=\"wp-block-heading\">GASTRONOMIA<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><span class=\"collapseomatic \" id=\"id6a67d7d65f0f6\"  tabindex=\"0\" title=\"\"    ><\/span><div id=\"target-id6a67d7d65f0f6\" class=\"collapseomatic_content \">2018. Vins de mem\u00f2ria: hist\u00f2ries al voltant del vi. Text. Vibop.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017. Pau Garcia Paraju\u00e0. La cuina de la carxofa. Pr\u00f2leg. Comanegra.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2015. Sergi de Mei\u00e0. Esmorzars de forquilla. Ep\u00edleg. Comanegra.<\/div>\n\n\n\n<h3 class=\"wp-block-heading\">FOTOGRAFIA<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><span class=\"collapseomatic \" id=\"id6a67d7d65f102\"  tabindex=\"0\" title=\"\"    ><\/span><div id=\"target-id6a67d7d65f102\" class=\"collapseomatic_content \">2020. Ferran Freixa. Maresme. Passat i present. Text. Fundaci\u00f3 Palau.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2014. Toni Vidal. Retrats de l\u2019exili i l\u2019interior. Fundaci\u00f3 Palau.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2012. Pedro Madue\u00f1o. Retrats period\u00edstics 1977-2012. Text. Fundaci\u00f3 \u201cla Caixa\u201d.<\/div>\n\n\n\n<h3 class=\"wp-block-heading\">DISSENY<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><span class=\"collapseomatic \" id=\"id6a67d7d65f10e\"  tabindex=\"0\" title=\"\"    ><\/span><div id=\"target-id6a67d7d65f10e\" class=\"collapseomatic_content \">2017. Josep Palau i Fabre i Arnal Ballester. Jo s\u00f3c el meu propi experiment: tretze poemes de l\u2019Alquimista. Amb Albert Planas. Idea gr\u00e0fica i disseny. Males Herbes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2012. Mart\u00ed Estruch. Joan Fuster i Barcelona. Amb Albert Planas. Idea gr\u00e0fica i disseny. Ajuntament de Barcelona.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2012. 7 de Sant Jordi. Amb Albert Planas. Idea gr\u00e0fica i disseny. Cerveses Moritz.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2011. Les cartes del Vel\u00f3dromo. Vol. I. 9.10-8.11. Idea gr\u00e0fica, disseny i textos. El Vel\u00f3dromo-Cerveses Moritz.<\/div>\n\n\n\n<h3 class=\"wp-block-heading\">EDICI\u00d3 EDITORIAL<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><span class=\"collapseomatic \" id=\"id6a67d7d65f11a\"  tabindex=\"0\" title=\"\"    ><\/span><div id=\"target-id6a67d7d65f11a\" class=\"collapseomatic_content \">2014. CaixaForum Zaragoza. Direcci\u00f3 editorial. Fundaci\u00f3n \u201cla Caixa\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2012. Cosmocaixa. Ciencia i societat. Direcci\u00f3 editorial. Tres edicions, en catal\u00e0, castell\u00e0 i angl\u00e8s. Fundaci\u00f3 \u201cla Caixa\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2012. CaixaForum Girona. Direcci\u00f3 editorial. Dues edicions, en catal\u00e0 i castell\u00e0. Fundaci\u00f3 \u201cla Caixa\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2011. L\u2019experi\u00e8ncia CaixaForum. Direcci\u00f3 editorial. Tres edicions, en catal\u00e0, castell\u00e0 i angl\u00e8s. Fundaci\u00f3 \u201cla Caixa\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2013. Cooperaci\u00f3 internacional. Direcci\u00f3 editorial. Tres edicions, en catal\u00e0, castell\u00e0 i angl\u00e8s. Fundaci\u00f3 \u201cla Caixa\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2008. Paraules per a la hist\u00f2ria. La hist\u00f2ria moderna d\u2019Andorra a la premsa internacional. Direcci\u00f3 editorial. Banca Privada d\u2019Andorra.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2002. CaixaForum. \u201cUn edifici-f\u00e0brica artistich\u201d. Dues edicions, en catal\u00e0 i castell\u00e0. Direcci\u00f3 editorial. Fundaci\u00f3 \u201cla Caixa\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2001. Perram\u00f3n y Bad\u00eda. 1926-2001. Direcci\u00f3 editorial. Perram\u00f3n &amp; Bad\u00eda.<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"has-text-align-right wp-block-heading\">Col\u00b7laboracions a la premsa<\/h1>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><span class=\"collapseomatic \" id=\"id6a67d7d65f129\"  tabindex=\"0\" title=\"\"    ><\/span><div id=\"target-id6a67d7d65f129\" class=\"collapseomatic_content \"> <\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">La Vanguardia 2005- Opini\u00f3.<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">La Vanguardia. 1993- Cr\u00edtica de llibres.<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">Regi\u00f3 7. 1994-1995. Comentaris de llibres.<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">Avui. 1993-1995. Comentaris de llibres.<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">Diario 16. 1992-1994. Cr\u00edtica de llibres.<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">El Observador. 1992-1994. Cr\u00edtica liter\u00e0ria i opini\u00f3.<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">La Vanguardia. 1990-1993. Cr\u00edtica liter\u00e0ria<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">Serra d\u2019Or. 1984-1986. Temes culturals.<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">Avui. 1983-1989. Entrevistes i articles de cr\u00edtica.<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">Diario de Barcelona. 1982-1984. Temes culturals.<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">El Correo Catal\u00e1n. 1982-1984. Cr\u00edtica de poesia.<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">Canig\u00f3. 1981-1983. Temes culturals.<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Llibres Llibres il\u00b7lustrats C\u00f2mics Pr\u00f2legs i edicions Altres projectes LITERATURA ARQUEOLOGIA M\u00daSICA ART GASTRONOMIA FOTOGRAFIA DISSENY EDICI\u00d3 EDITORIAL Col\u00b7laboracions a la premsa<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"both","_seopress_redirections_param":"","_seopress_redirections_type":301,"_seopress_analysis_target_kw":"","footnotes":""},"class_list":["post-1544","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/juliaguillamon.com\/index.php\/wp-json\/wp\/v2\/pages\/1544","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juliaguillamon.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/juliaguillamon.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/juliaguillamon.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/juliaguillamon.com\/index.php\/wp-json\/wp\/v2\/comments?post=1544"}],"version-history":[{"count":26,"href":"https:\/\/juliaguillamon.com\/index.php\/wp-json\/wp\/v2\/pages\/1544\/revisions"}],"predecessor-version":[{"id":1574,"href":"https:\/\/juliaguillamon.com\/index.php\/wp-json\/wp\/v2\/pages\/1544\/revisions\/1574"}],"wp:attachment":[{"href":"https:\/\/juliaguillamon.com\/index.php\/wp-json\/wp\/v2\/media?parent=1544"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}